Archives for category: Library Bric-a-brac

The Denver Post has put up an impressive set of colour photos from the 30s.

These images, by photographers of the Farm Security Administration/Office of War Information, are some of the only color photographs taken of the effects of the Depression on America’s rural and small town populations. The photographs and captions are the property of the Library of Congress and were included in a 2006 exhibit Bound for Glory: America in Color.[full post]

You can check out the Library of Congress’s digital exhibit here (Requires Silverlight… really? LoC’s going to make me use IE?)

I’m a sucker for old signage, but there’s lot more than that to see here. History buffs should check out the headlines posted in the photo below. It’s upsetting to hear that “Flying Santa Will be Delayed”, but there’s a more interesting one about Italy and Mussolini.

Via @NYPLMaps (New York Public Library’s Map Division).

Conductor: www.mta.me from Alexander Chen on Vimeo.

From Chen’s site:

Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.

A  mesmerizing way to re-present geographic information. It also reminds me of video games (gotta love SNAFU) I played back in the Eighties.

For anyone not hip to it, the NYPL’s Map Division has been tweeting an online map of the day. Cartographophiles (a word?)  like me can dig it. But, if one new map a day isn’t enough, why not look at their digital collection and drool.

Map of London

Hand-drawn map of London by Stephen Welter

The New York Public Library hosted a neat looking panel today.

Future Library: Socializing History with Maps, Hosted by The New York Public Library

Event Description:

Speakers:

  • Matt Knutzen, Geospatial Librarian at the New York Public Library
  • Alex Rainert, Head of Product at Foursquare
  • Jesse Friedman, Product Marketing Manager at Google Maps and Earth
  • Jack Eichenbaum, Queens Borough Historian[NYPL’s event listing]

It’s a shame when you hear about something interesting, and it’s too late, and it’s in another country. Where are the teleporters, already? Science, I’m looking at you

Moving on, it’s exciting to imagine maps being used like wikis.  It’s a field that has largely been dominated by businesses and advertising, but there is a lot of potential here for less commercial uses. OpenStreetMap is an open source project already doing this.

Other popular free(but not commercial free) resources, like Google Maps or Bing’s equivalent, can be an underused tools for pushing community information out to library users and visitors.

Imagine walkable or bikeable tours you could follow via smart phone, with info links, archival photos galleries, recorded personal testimonials, and other information. Online maps can be turned passing on community knowledge that is often lost or fragmented by .

Or arts walks. Or even digitally augmented literary scavenger hunts combining geo-caching and book releases.

Like most web-based tools, I’m pretty sure the most en-genius ideas haven’t been thought of yet. The opportunity is there for any locally minded persons who want to plant a few flags in the digital world.

Also, how cool would it be to be a Geospatial Librarian. I want one of those business cards!

***Addendum***

Stephen Welter’s portfolio site. Why not promote the analog approach?

A great little info-graphic from Information is Beautiful (my favourite info-design site):

But, this is not necessarily a new concept (from the I.is B. post).

This structure has been around for a while. (In fact does anyone knows who first came up with it?). The only new thing is relating it to visuals. And giving it a nice font.

One interesting thing. If you visualise information without designing it, you often end up with a mush or a meaningless thicket.

A lot of times, as part of the reference process, “information” and “data” are considered enough to meet user needs, leaving the higher levels of the triangle to the user’s discretion.

As librarians increasingly become moderators or brokers of information, staking a claim on those higher tiers may be worthwhile. Information design can do a lot to achieve this.

Libraries are in the information sharing business, so considering how we present information visually is pretty important. I’m a big fan on the role design can play in representing complex ideas. The ability to take raw information and make it informative is something that makes good information design invaluable.

It may seem like a superficial concern, but information design is going to be more and more relevant.

The list is the simplest and most ubiquitous tool for returning information to users (be it via search engine, OPAC, or written lists of suggested titles).  Even tag clouds are essential elaborate lists, but they are moves in the right direction.

The drive towards the semantic web (one day, maybe?) will lead to increased  expectations from users.  Search tools and providers will  have to consider more complex and subtle contextual inputs. Because the results themselves will be increasingly nuanced, the dynamics of how this information is presented will be crucial.

I’ve really no idea about how this will turn out. But, since search engine results are essentially laid out the same now as in the 90s, I’d be open to any sort of evolution.

Palestine Line

The Boston Public Library has been developing a pretty amazing and eclectic photo gallery up on flickr, all stuff scanned from their archives and special collections.

I’m partial to the Travel Poster collection. There’s also impressive Match Cover and Stereograph sets.

SterographIt’s a pretty extensive (almost 17 000 items)  example of a library using popular social media software to push out parts of collections normally inaccessible to the average library visitor.

Also, it’s just plain neat.

Houdini scrapbook

room! in the ceiling!

The good Jessamyn West at Librarian.net has compiled a list of the random, secretish places in libraries she’s been shown:

It’s great when the evolution of a building space is cracked open. Particularly when it’s something a little esoteric seeming, like a library.

A long time ago, I wrote an article about exploring the abandoned(ish) passageways beneath Wilfrid Laurier University. I went under the library building, just a little.

More dedicated urban explorers, though, reveal some more amazing stuff: c.f. Cool Pics of an Abandoned Russian Library

Catcher in the Rye

NPR, the other day, had an interview with Kenneth Slawenski author of J.D. Salinger: A Life.

From NPR.org:

One revelation that is elaborated on throughout Slawenski’s erratic biography [Stirling says: Ouch.] is just how crucial Salinger’s World War II experiences were to his later Zen Buddhism, as well as to his writing. Salinger served in an Army Counter Intelligence Corps. On D-Day, he landed on Utah Beach, then went on to fight in the Battle of the Bulge; toward the end of the war, he helped liberate a sub-camp of Dachau. According to Slawenski, manuscript pages of The Catcher in the Rye were on Salinger’s person throughout the fighting.[full article with audio!]

Crazy. One stray bullet and no Holden Caulfield! Generations of angst-ridden teens would’ve lost out. After all, there’s no Edward the Sulking Vampire without dear Mr. Caulfield.

Salinger fans would do well to check out Slawenski site: Dead Caulfields.

Scaredy Squirrel

From the 2007 winner! Scaredy Squirrel

Tonight, I’m whittling down my top ten pics for the Amelia France Howard-Gibbon Illustrator’s Award for children’s literature. This list will be added to all the other shortlists made-up by my co-committee people and distilled down to yet another shortlist.

This is a pretty exciting committee. I’ve received a steady stream of free books over the last few months. I had a pile many feet hight and read them all. Phew.

There’s no way to summarize the kinds of books people are making. Cute. Creepy. Weird. Occasionally serious. Sometimes heartrendingly beautiful. Often didactic (more often than not). It doesn’t matter. The caliber and creativity of the Canadian artists I’ve read is just astounding

I’ve also fallen smack into a literary world that I haven’t dabbled in for years and years. Relearning how to encounter these books has been both a trip down memory lane and a quest to figure out what the 21st century reading experience is for young readers.

Not an easy question to answer. It’s easy to let your personal nostalgia for books like when you were little overpower what young people today might be looking for.

This is a challenge, and it’s one that children and youth services librarians grapple with all the time. Lucky them, right? I’m a little envious.

I look forward to the announcement of the winner, so I can review some of the books I’ve discovered!

Also, looking forward to starting over next year.

hemingway

a) Hemingway reclines!

I’m not sure what drives the site Libraryland, other than it’s motto: “I pledge to read the printed word.” Maybe that’s enough.

Libraryland is a homage to book culture. Whoever maintains it has curated a simple, wonderful, and wry collection of quotes, scanned pages, and pictures from the world of books and its ephemera.

Absent of commentary, it’s a digital scrap book of the profound, the idle, and the almost forgotten quips from the literary world.

Book Cover ArchiveI will not say the old adage is moot, but cover design has become pretty central to the book experience. This is especially the case when it comes to browsing shelves for your next read.

The Book Cover Archive shows off how book makers try to catch readers attention. The site is a huge, searchable database that celebrates the best and brightest of cover design industry right now.

As a design-freak, I love sites like this. It makes my eyes greedy and my soul a little jealous (Wouldn’t it be fun to make art like that all the time?).

book cover archive screen shot In a perfect world, libraries would be able to constantly update book covers to keep up with design trends. Realistically, it’d be impossible.

Online, though, it’s different. Online catalogue records could reflect newer designs for covers of older books. This can help breathe new life into editions passed over by browsers as dated. It’s an easy way to capitalize on marketing trends and cash in on the cues readers expect from book covers.

In the graphic designer part of my life, I’ve had some practical experience in the book cover field.Pretty nice, right? The poetry inside is good, too.