Archives for posts with tag: History

The Denver Post has put up an impressive set of colour photos from the 30s.

These images, by photographers of the Farm Security Administration/Office of War Information, are some of the only color photographs taken of the effects of the Depression on America’s rural and small town populations. The photographs and captions are the property of the Library of Congress and were included in a 2006 exhibit Bound for Glory: America in Color.[full post]

You can check out the Library of Congress’s digital exhibit here (Requires Silverlight… really? LoC’s going to make me use IE?)

I’m a sucker for old signage, but there’s lot more than that to see here. History buffs should check out the headlines posted in the photo below. It’s upsetting to hear that “Flying Santa Will be Delayed”, but there’s a more interesting one about Italy and Mussolini.

Let’s just say my Friday started off a little predisastered and required some personal  consumer health reference services. Good thing I work in a science library.

But, that will not stop Library SoundTrack Fridays!

Ok. Let’s go. Cage the Elephant.


I love this opening riff. Cage the Elephant have recaptured something I remember loving about music when I was in high school (yeah, waaay back). Their sound is very 90s, without seeming dated. This is nice.

Swinging away from grungy, bombastic 90s guitar crunch to the Headlights. They’ve been in my congenial Indie pop for a few years now. They sound very British, but really they come from Chicago (a very cool city).
(Sorry about the weird Mormon add if you get one.)

I’m going to end with one of the best bands going right now in Canada: the Rural Alberta Advantage. A three piece, they’re able to whip out pretty epic, catchy tunes. Enjoy. Me, I’m going to go find an icepack…

The Harper Colllins/OverDrive debate continues, and I want to pull from a couple blog posts that caught my attention. As the discussion continues to evolve more detailed notions about the problem are cropping up.

First, from The Brewin Librarian. He’s done some math to estimate what the HC style licence agreement means for his local library system.

Once I subtracted the CDs and DVDs from the circ numbers he gave me, I found 7566 items in our collection that had circulated 27 or more times. Just for kicks and giggles, I also identified that 942 items had circulated 53 times or more (we would have had to buy them twice).Jason ends up with a number of $12.99 average for an item, and although I agree with one of the comments on the post that $25 is probably a more accurate number, for argument’s sake I’ll use 12.99.

If we were to have to replace these materials under a 26 use policy, this would cost our library system $110,518.92. A number Logan tells me is very close to our total adult nonfiction budget for 2011.

That’s why public libraries are concerned. To give you an idea of how large of an impact this is– our collections budget was $1,135,664 in 2009, according to the statistics from Colorado’s Library Research Service. Throughout the state of Colorado for 2009, materials budgets ranged from $4,577,200 for the Denver Public Library system to a mere $232 for one small rural library. (Yes, you read that number right– TWO HUNDRED THIRTY TWO).[full post]

I like this. It’s good to put this discussion into a context of potential real costs for public libraries.

Matthew also hints at a larger issue.  I’m going to wager that a rural library with a budget that small has effectively been shut out of non-public domain ebooks. Besides the issue over licencing eBooks, real economic and geographic exclusion already exists and will likely be exasperated.

What are some alternatives? Some librarians are hatching manifestos to take control of the eBook market. From Steve Lawson’s blog See Also…:

The result is a plan for libraries to buy, lend, and preserve ebooks which looks like this:

  • Libraries will purchase e books from publishers or other sources. Libraries will not license ebooks.
  • Licenses are not necessary. The entire process will be based on copyright. The publishers’ control over the ebook ends the moment it is sold to the library…
  • Most libraries will employ a third party to be responsible for both access to and preservation of ebooks. Some libraries–probably very large public libraries or research libraries–may prefer to go it alone rather than contracting with such a service…
  • Most libraries will choose to add DRM to ebooks in the form of copy protection in order to satisfy publishers’ desires not to see unauthorized copies proliferate. Copy protection that is acceptable to libraries will be largely invisible, platform-independent, and will serve only to prevent the creation of additional complete unauthorized copies.
  • Copy protection must not interfere with readers’ rights to fair use.
  • Copy protection will never be applied by the publisher, but by the library, or by a third party hosting the ebooks under contract from the library…[full post]

These are all great points, but I’m not sure they’re wholly feasible. This sort of sweeping change will be hard and expensive to implement, and you will see the publishers throwing up roadblocks at every turn.

Since we’re on the issue of costs: how will public libraries pay for all this? What about standards across library systems? Who controls those standards? Oh, to be a private contractor with the know-how if libraries turn their back on the publishers to embrace schemes like this. Cha-ching.

In the end, if libraries are going to get a good deal out of all this, it will be important to identify a strong bargaining position with some leverage to it. I’m not sure Lawson’s quite got the right one, but the ideas will continue to evolve.

Earlier this week, Boing Boing linked to a togetter stream of photos taken of shaken Japanese libraries. What a mess, but it’s better to have the library to put back together.

Also, while all this stuff is happening in Japan, but please don’t forget about Libya where the rebels are the verge of collapse.

Pol Pot

Say what you like; just spell my name right.

I was at a pub, hanging-out with my friend from the world of  journalism.

We were chatting with the bartender about off-the-beaten-track places to visit. Well traveled (actually a tour guide for a non-profit eco-tour company), she recommended Cambodia, because it’s cheap and less touristy than Thailand or Vietnam.

Cambodia is interesting in its own right, and our bartender led us on a short aural tour.  Some things I knew. Others were new to me.

Like this one: the infamous Pol Pot, was born Saloth Sar. He got his more commonly known name from a French professor who referred to Sar’s “Politique Potentielle.”  “Pol Pot” evolved from there. Apparently, he went to great lengths to conceal his birth name.

And, it was a chilling-face-of-evil’s-nom-de-guerre Reference Bomb! Bam!

Further Reading:

The Killing Fields – a great movie about journalists covering Pol Pot’s tragic/murderous return to “Year Zero
BBC article on the Pol Pot
Debate over the origins of Pol Pot’s name on Wikipedia

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What is a reference bomb? Find out here!

Email me your Reference Bomb experience! info@dropthereferencebomb.com

Eva

"Life Mag is a bunch of SUCKAS, 4 reals. LOL"

From the Toronto Star:

A cache of “rare, unseen” photographs from Eva Braun’s private photo album that flashed across the Life magazine website are pictures publicly available since 1947 and the legendary photo magazine has been duped, the U.S. National Archives says.

“We’ve had them here since 1947,” Edward McCarter, head of still photography at the archives, told the Star on Thursday. “Anyone could see them for free.”[full article]

With all the fiscal woe and licensing news, it’s nice to see a library/archivist type makes waves for something this awesome.

Incidentally, it’s also not the first time people have fallen for a hoax like this.

Unfortunately no Triumph of the Will 3D

Now we can feel uncomfortable about the capacity for man’s inhumanity to man… in 3D.

From the Gurardian:

James Cameron and his team of minions may have produced the high watermark for 3D technology in the 21st century, but it seems the Nazis got there first. The Australian film-maker Philippe Mora says he has discovered two 30-minute 3D films shot by propagandists for the Third Reich in 1936, a full 16 years before the format first became briefly popular in the US.

The first of the films, titled So Real You Can Touch It, features shots of sizzling stereoscopic bratwursts on a barbecue while the second, named Six Girls Roll Into Weekend, features actors Mora believes were probably stars from Germany’s top wartime studio, Universum Film.[full article]

Film nerds/buffs can read the Variety article, which has a taste of the technical information.

Mora is working on a film, “How the Third Reich was Recorded.” As a one time history scholar, I’m a sucker for unsettling docs about Nazis. Not to be glib, but to me they’re creepier than zombie movies. Imagine the two combined.

My thanks goes out to whoever preserved these films and others like it. The best hedge against repeating terrible episodes of history is to record it and make it available, so people can bear witness to it. Oh, the power of libraries and archieves! </soapbox>

Via @NYPLMaps (New York Public Library’s Map Division).

Conductor: www.mta.me from Alexander Chen on Vimeo.

From Chen’s site:

Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.

A  mesmerizing way to re-present geographic information. It also reminds me of video games (gotta love SNAFU) I played back in the Eighties.

For anyone not hip to it, the NYPL’s Map Division has been tweeting an online map of the day. Cartographophiles (a word?)  like me can dig it. But, if one new map a day isn’t enough, why not look at their digital collection and drool.

Sometimes you learn something in a random place and when you least expect it. Even better is when it’s off-beat and funny.

For example: this Dinosaur Comic sent to me by an English Professor-type friend (after he used it in a lecture on Chaucer).

Dinosaur Comics

And,  just like the better parts of Jurassic Park: the Lost World, dinosaurs have served to teach us something important… about ourselves.

And that’s a paleo-linguistic… thump… thump… thump… Reference Bomb! Bam!

Read more:
Wiki entry on the Great Vowel Shift.
History of the English language.
NPR Report on a Vowel Shift happening RIGHT NOW!
Freebie: some Jurassic Park dinosaur biological inaccuracies.

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What is a reference bomb? Find out here!

Email me your Reference Bomb experience! info@dropthereferencebomb.com

Sad Cypress

What happens when statistics and literature collide?

One outcome is NPR’s Radio Lab‘s mini-doc “Vanishing Words”. It’s a thought provoking look into what can be gleaned from the statistical analysis of a person’s collected writing. From Radio Lab’s site:

Agatha Christie’s clever detective novels may reveal more about the inner workings of the human mind than she intended. In this podcast, a look at what scientists uncover when they treat words like data.

According to Dr. Ian Lancashire at the University of Toronto, the Queen of Crime left behind hidden clues to the real-life mysteries of human aging in her writing. Meanwhile, Dr. Kelvin Lim and Dr. Serguei Pakhomov from the University of Minnesota add to the intrigue with the story of an unexpected find in a convent archive that could someday help pinpoint very early warning signs for Alzheimer’s disease and dementia. Sister Alberta Sheridan, a 94-year-old Nun Study participant, reads an essay she wrote more than 70 years ago.

Listen here.

Radio Lab has a great knack for finding the compelling human side of just about any science topic. It’s well produced, humourous and straight forward. I’d call it worth checking out. Read the rest of this entry »